Call may refer to:
A caller is a person who prompts dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance this is rare.
In round dance a person who performs this function is called a cuer. Their role is fundamentally the same as a caller, in that they tell dancers what to do in a given dance, though they differ on several smaller points. In northern New England contra dancing, the caller is also known as the prompter.
Callers and cuers serve slightly different functions in different types of dance. Improvisation in modern Western square dance calling distinguishes it from the calling in many other types of dance.
Callers in many dance types are expected to sing and to be entertaining, but round dance cuers do not sing and are expected to be as unobtrusive as possible.
Standardized dances such as round dance, modern Western square dance, and Salsa Rueda consist of a number of defined difficulty levels. Callers and cuers are responsible for knowing all of the calls or cues (respectively), also known as figures, for the defined difficulty level at which their dancers are dancing, as well as all figures belonging to lower or easier levels.
In the game of poker, the play largely centers on the act of betting, and as such, a protocol has been developed to speed up play, lessen confusion, and increase security while playing. Different games are played using different types of bets, and small variations in etiquette exist between cardrooms, but for the most part the following rules and protocol are observed by the majority of poker players.
Players in a poker game act in turn, in clockwise rotation (acting out of turn can negatively affect other players). When it is a player's turn to act, the first verbal declaration or action she takes binds her to her choice of action; this rule prevents a player from changing her action after seeing how other players react to her initial, verbal action.
Until the first bet is made each player in turn may "check," which is to not place a bet, or "open," which is to make the first bet. After the first bet each player may "fold," which is to drop out of the hand losing any bets they have already made; "call," which is to match the highest bet so far made; or "raise," which is to increase the previous high bet.
Address or The Address may refer to:
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, an HTML element, see HTML element#address
An address is a collection of information, presented in a mostly fixed format, used for describing the location of a building, apartment, or other structure or a plot of land, generally using political boundaries and street names as references, along with other identifiers such as house or apartment numbers. Some addresses also contain special codes to aid routing of mail and packages, such as a post code.
Addresses have several functions:
Until the advent of modern postal systems, most houses and buildings were not numbered. Streets may have been named for landmarks, such as a city gate or market, or for the professions of their inhabitants. In many cities in Asia, most minor streets were never named. This is still the case today in much of Japan. When postal systems were introduced, it became necessary to number buildings to aid in mail delivery.
In sociolinguistics, a T–V distinction (from the Latin pronouns tu and vos) is a contrast, within one language, between various forms of addressing one's conversation partner or partners that are specialized for varying levels of politeness, social distance, courtesy, familiarity, age or insult toward the addressee. Languages such as modern English that, outside of certain dialects, have no morphosyntactic T–V distinction may have semantic analogues to convey the mentioned attitudes towards the addressee, such as whether to address someone by given or surname, or whether to use "sir" or "ma'am". Under a broader classification, T and V forms are examples of honorifics.
The terms T and V, based on the Latin pronouns tu and vos, were first used in a paper by the social psychologist Roger Brown and the Shakespearian scholar Albert Gilman. This was a historical and contemporary survey of the uses of pronouns of address, seen as semantic markers of social relationships between individuals. The study considered mainly French, Italian, Spanish and German. The paper was highly influential and with few exceptions, the terms T and V have been used in subsequent studies.
Maybe I'm not ready for this, and you know it.
Maybe I'm too scared to tell you what I'm really thinking
It's not fair to stay together because of regrets we might have.
I don't want to fall asleep alone, but do I want to wake up with you?
I'm only trying to be completely honest.
So I guess this is the ending or a beautiful mistake.
And if we both agree that we shouldn't be together why does it hurt so much?
I feel like I lost my closest friend.
I don't want to fall asleep alone, but do I want to wake up with you?
I hope you're happy and completely lonely.
There I am standing all alone on Sydney Harbor Bridge.
And you know I would jump into the fucking ocean if it meant I was truly capable of being satisfied.
Well I ever be?
Did I just give up the best thing I ever had?
I don't want to fall asleep alone, but do I want to wake up with you?
I hope you're happy and completely lonely.
I don't want to fall asleep alone, but do I want to wake up with you?
I'm only trying to be completely honest.